This is a principle that I hear a lot in playing by modern blues gamers like Matt Schofield, Robben Ford, Larry Carlton, and others.

It involves using a bit of music theory to “borrow” the arpeggios from other chords within the key, not the chord that is being played.

What that does is develop a circumstance where you are tending to focus on the “colorful” chord tones, and not a lot on the traditional ones.

Used with purpose, and solving this correctly, yields a really cool noise – doing it incorrect, tends to sound incorrect:-LRB-.

This is just one of the subjects in my new “Modern Blues Soloing” course, which is here:.

The TAB for this lesson:.

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” How To Jam” Manual (PDF) –

The “4 Note Solo” Mini Course –

Hope you dig the video!